I thought I would just outline our post production process so far, for those who are interested. We shot 35mm, which was processed overnight at Bucks labs, and then shipped in the morning to central London where Midnight Transfer did the 35mm telecine to DVCam, with all the relevant information such as lab roll, timecodes [...]
Gone Fishing gets its 100th contributor!
We hit our 100th contributor last night (thank you Wendy!), bringing the total raised so far to… £19,685! Blimey! I mean really, BLIMEY! We are still short though, so if you know anyone who may want to come on the course or come to the premiere, click here. I have been working on the £100 [...]
First stab at the DVD cover…
I have spent the day designing the first DVD cover for ‘Gone Fishing’. This is very different to a feature cover in one major way – it will never act as a POINT OF SALE for a buyer. The only people who will get the DVD will either be given it, or come across it [...]
Pickup shoot is 100% success!
Saturday morning, the day after the pickup shoot, and I am looking out of my window in amazement at the weather. According to the BBC it should be bright sun, and it’s grey and miserable. Yesterday on the other hand, the day we shot, WAS AMAZING SUNSHINE! We could not have been luckier with the [...]
It's 5.51 am…
I spent yesterday driving a van around London collecting camera kit and lights – I love that moment when normal life ends and you step into the world of movies – that for me was yesterday when I collected the van. Cameraman Steve Brooke Smith camera along for the ride, and thank god he did [...]
Compiling Titles
I have been collating the titles for the end crawler. This presents a number of practical problems. First off is just how do you format it so that you can easily use it in other programs once all typed out in MS Word? The big thing is to NEVER use tabs. Just write the test [...]
Pickup shoot moved for weather
Gone Fishing looks absolutely amazing. In large part this is down to Vernon’s photography and his insistence that we wait on the sun. We were very lucky in the main shoot and managed to shot mostly in bright sunshine, which Vernon then filled the harsh shadows with a whopping great 15k light and bounce boards. [...]
DISASTER! The neg is lost!
Last night was the first truly dark night on this production. It was HELL! Yesterday we got word from the lab that the negative had been misplaced. No-one actually knew where it was. It was frankly, LOST! That fact was further complicated by it being late in the day and after six, everyone went home. [...]
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Christopher Hughes: That should have read 2.5KW HMI draws 10.41amps...
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Chris: Great advice Tom, Tim and Christopher. Of course s...
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Christopher Hughes: The most important things to consider is safety. I...
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Tom Khazoyan: Good tips, Chris. Don't give in to the tempt...
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Tim Clague: Luckily, these days cameras are much better in low...
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Does the National Minimum Wage (NMW) mean the end of micro budget film making the UK?
March 7, 2010
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BECTU debate and the National Minimum Wage…
March 19, 2010
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Avid or Final Cut Pro X? Tips for setting up your first feature film cutting room.
January 25, 2012
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It’s time for film makers to take action over distribution… it’s OUR problem, not theirs!
April 27, 2012
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The phone rang, and from that moment, everything changed… PART 1
October 3, 2009
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Rare archive podcast interview with legendary American screenwriter and director John Hughes
May 16, 2012
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How to use powerful film lighting in a domestic situation without a generator
May 14, 2012
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Producing ‘Clowning Around’ with Leilani Holmes
May 11, 2012
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Your film is unique – no single solution fits all, the fundamental rule of nu-distribution
May 10, 2012
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My first movie, ‘Necronomicon, book of the dead’
May 8, 2012
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