I have been working my way through a DVD seminar by Richard Walter, called Beyond The Basics, a four disk set that is crammed with inspirational and exceptionally direct and concise advice on screenwriting. No, it’s more than that, it’s about storytelling, agents, managers, film editing and so much more. Richard Walter is an American [...]
The Oscars and the BAFTA's 2008
So the Oscars 2008 have come and gone, and while all eyes have been on the big players, I have been watching the shorts. I am delighted that a film that ENTERTAINS managed to walk away with the gold statue last Sunday night. It bodes well for Gone Fishing. French film, The Mozart of Pickpockets [...]
Scanning Gone Fishing on to 35mm
Today I went to Cinesite to meet with the legendary Mitch Mitchell, to discuss how we are going to get ‘Gone Fishing’ onto 35mm. Mitch is a very experienced digital post production guru, who has even written one of the best books on the subject – Visual Effects for Film and Television. Cinesite have worked [...]
Makining HDCam Downconvert tapes
I spent most of yesterday working with an editor friend of mine, Laura Kettle, in a large post production facility in West London. We had a number of jobs to do on ‘Gone Fishing’, first of which, was re-laying the newly mixed soundtrack onto 2 HDCamSR tapes. After some messing around we managed this fairly [...]
Translating Gone Fishing
Translating Gone Fishing has turned into both a bigger job than expected, but at the same time, easier job than I feared, mainly due to the incredible help I have received. Subtitle Workshop has proved to be a great little free tool, a little clunky in places, but nonetheless, it does what it says on [...]
Subtitles for Festivals
I have been working on festival plans today, and specifically on the world premiere. Cannes is looming and it would be great to get into competition there and give them the world premiere. I have been reliably informed that if we have already done French subtitles, that will work in our favour – and so [...]
Final DVD – death and resurrection!
I had just about mastered the final DVD’s for Gone Fishing, in both PAL and NTSC, with both Dolby Digital and DTS sound, with perfect picture (even the NTSC thanks to a great system trascoder called Canopus Procoder 3)… And then I got the dreaded email. We had missed a person off the credits. And [...]
DIGITAL DISASTER!
It’s a disaster… but not for us. My good friend and director, Johnny Newman, shot a film (At Home With The Finkels) late last year using the Viper Camera – a high end HD format that records data to drives and not to tape (or obviously film). That means there is no tape or film [...]
Archiving BetaSP tapes onto DVCam…. Problems
I am on an archiving bender this weekend. I made a movie ten years ago now, called Urban Ghost Story. It was shot on Super 16mm and telecinied ot BetaSP for offline editing. For the past ten years I have been carrying around the rushes on 50 BetaSP tapes. So it’s time to deal with [...]
PAL DVD of Gone Fishing Complete
Yesterday I completed the PAL DVD for ‘Gone Fishing’. This DVD is for showing to festival co-ordinators and people who may be interested in the new features I am writing. For now, it won’t be available to anyone else, not even my family! (as I explained on the blog before, we need to keep tight [...]
The mountain lies ahead and my feet feel heavy…
With dread in my heart, I approach now, the writing of the next project… And I take the first step… While I can write, I find it very hard. Much harder than I think many other writers do. I find it extremely draining, emotionally and physically. And there is a maximum of about three to [...]
Final Mix Tweaked and Complete!
Last night I went back to work on the final mix for Gone Fishing at Videosonics. There were two aspects to what we were doing. First off, there were three small creative changes to the sound mix, things I picked up while viewing the film outside of the studio environment. We changed two and left [...]
Dolby Licence is secured for 35mm prints
We have just secured our Dolby Digital licence for the 35mm version of Gone Fishing. When we screened the film at BAFTA, it was presented on HDCamSR with full 24bit uncompressed six track sound. For 35mm prints, we need a Dolby encoded version, and for that, every short film needs a Dolby licence. So tonight [...]
Press Pack Draft 1
Over the last few days, we have been thinking ahead about the press for Gone Fishing… And I have been compiling a press pack for journalists. A press pack is a document that has information about the film, how it was made, and who the key players were in its making. I have chosen to [...]
Planning the sound re-mix tweak
Since the premiere I have wanted to do a few very minor tweaks to the sound track. And I mean minor. When you see your film out in ‘the wild’ as it were, you always see something new that could be changed. This is the value of having the time to go back and make [...]
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Chris Jones: And I will say it again, let's remember LightWork...
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Damian Knight: Its interesting Andy, I have been working at BBC W...
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Johan Bergqvist: http://vimeo.com/22832980 This is a very early ...
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Andy Carslaw: I don't claim to have anywhere near as much exper...
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Jon Mills: How do you define our strengths though? I'd argue...
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Does the National Minimum Wage (NMW) mean the end of micro budget film making the UK?
March 7, 2010
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BECTU debate and the National Minimum Wage…
March 19, 2010
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The phone rang, and from that moment, everything changed… PART 1
October 3, 2009
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The phone rang, and from that moment, everything changed… PART 3… The conclusion…
October 6, 2009
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Avid or Final Cut Pro X? Tips for setting up your first feature film cutting room.
January 25, 2012
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Avid Studio v iMovie on the iPad… And the winner is?
February 4, 2012
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Should British Film Makers Capitalise on the British Brand?
February 3, 2012
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How to shoot your movie on Oxford Street (or other ridiculously public location)
February 1, 2012
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Do you need funding for your film?
January 31, 2012
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How to get MASSIVE results when you ask for help for your movie
January 27, 2012
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