Make Film Teach Film

Can you afford to release YOUR film in a cinema and take just £86?

Over the past few days there has been much chatter about a film that was released in UK theatres this weekend. You can watch the trailer here.

It’s called ‘Motherhood’, stars Academy Award nominee Uma Thurman, UK star Minnie Driver, and TV show ‘ER’ helmer Anthony Edwards. Here’s the plot outline from IMDB is… In Manhattan, a mother of two preparing for her daughter's sixth birthday party has no idea of the challenges she's about to face in order to pull off the event.

Sounds like it should do SOME business right?

Last weekend, the total UK Theatrical Box Office for ‘Motherhood’ was $131 (£86).

That’s right. Eighty six pounds.

Watch the trailer (if you haven’t already) and remember that figure of £86.

That’s less than ten people in the whole of the UK who actually bought tickets. Of course the tax man will take 17.5% of that £86 (VAT), the theatre will take 75% of the remaining, leaving only enough for a round of venti latte’s at Starbucks for the film makers. Oh hang on, no the film makers wont get a penny as the distributor has to recoup many £thousands first, AND take their fee for releasing it – and remember, distributors, like the cinema owners, are not in business to cash flow my film, your film or this film. Nor are they in business to lose money.

Wow. What a stark reminder of just how tough the market is out there.

But… the rabbit hole goes deeper.

Rather than just report the sensational headline here, I thought I would dig deeper. I spoke with some distributor friends of mine who explained…

• The film is not very good (though it’s not terrible either)
• The film was released in one cinema in London only. Very little PR was done
• This limited release is a tactic to gain exposure and reviews for DVD, VOD and TV sales. They expected to do very little business in theatres (though maybe not this little)
• The distributor may have been contractually bound to release the film in theatres when in fact, it should never have appeared in theatres (but the film maker demanded it), therefore they did the minimum needed to fulfil their end of the deal.
• The DVD was released on the same day as the theatrical release (figures not available yet, but let’s not jump to any conclusions).

Metrodome released the film and their very own James Brown gave a presentation at the Australian Film, Television and Radio School just last week… Here is what was reported on the Last Night With Riviera Blog.

Metrodome's James Brown gave a rambling presentation on the state of UK distribution. He'd just learned that Metrodome's chair had let go of large portion of the staff and was pulling the company out of theatrical (12 films a year) to concentrate solely on DVD (60 films a year), which informed much of his talk. In an hour of constant, roundabout banter, he made only two real points (over and over again):

• the GFC (Global Financial Crisis) has killed UK distribution, which is on life support. Retailers are going out of business. Theatrical is dying. There is no theatrical audience over the age of 35 in the UK. We don't know how lucky we have it here etc.
• In the UK, the audiences for theatrical and video are distinct. This means that, for example, you can make UKP 2.4 million on Broken Embraces at the box-office, but only ship 1,000 DVD's. Or UKP 800,000 on Away We Go and only ship 800 copies of the DVD in the 1st month. Conversely, it means there are massive DVD audiences for films which would not warrant a theatrical release, such as Metrodome's moneymaker for 2009, Mega Shark Vs. Giant Octopus. (Hey James, have you seen Chihuanhas?)
• His main message: "I'm here to give you permission to make commercial crap to fund your passion project". His next project: derivative WWII action Age of Heroes.

Read the whole blog entry here

This unprecedented turbulence and fluidity in the market is the biggest challenge we film makers now face.

We can’t rely on anyone but ourselves to create our own distribution models and helm the release ourselves. Think about it, if the film maker had mounted their own campaign for ‘Motherhood’, do you think they could have improved on that £86? I am pretty sure YOU would have done better.

This is one of the messages of the workshop that I am running with Jon Reiss and Sheri Candler next month. We MUST take control of our own distribution, by connecting with audiences and running distribution models that are hyper efficient and targeted to maximise exposure, cash returns and generate new opportunities for further exploitation. Can you afford your film to take just £86 at the box office? I can’t.

The old model is broken, the new model is evolving, but finally, we are in control. Check it out here.

Onwards and upwards!

Chris Jones, Film Maker and Author
www.livingspirit.com
mail@livingspirit.com

Script to Screen Workshop Videoblog, 'Dead Wood' and 'Shifty'

 NEW - Watch this video on iPhone or other mobile device by clicking here

Over the last few weeks we have held two separate ‘Script To Screen’ events, one for zero budget horror ‘Dead Wood’ and one for the hundred grand Microwave feature ‘Shifty’. Both events were very different, were very well attended/received, and ended up with over 150 film makers getting enormous insights into the development, production and sales of these films.

 First up was ‘Dead Wood’, made for pocket money, shot over several years and sold to Lionsgate in the USA. Sebastian Smith and David Bryant took the stage with me for a robust and very entertaining couple of hours of frank, intimate and often, rip roaringly funny chitter chatter about how they made the film. The boys were the epitome of ‘we have no resources and no money, so let’s take charge of our destiny and make our own mistakes on OUR journey…’

It was inspiring stuff, and many people in the audience had that ‘light bulb’ moment when they made their own personal choice to stop procrastinating, planning and preparing, and take that big first step on their own journey to make a film. Reading the script and comparing the film was a real education too – even though they themselves thought the script was good, when they took it to set it was re-written hastily, and then into post, it just all fell apart. But their commitment to excellence drove them through what must have felt like endless reshoots in pursuit of the best movie possible out of their limited resources.

 What was also impressive was just how much production value they squeezed out of their Canon XL1’s on which they shot the film (no Canon 5D MkII was around when they made the film). This ‘look’ was achieved through extensive grading and visual effects in After Effects and other post production packages. But it was the time and effort invested that made it work, not the tools alone.

The boys infectious energy must have rubbed off though as during the break an enormous line of people queued up for them to sign DVD’s and scripts. If energy, passion and enthusiasm were the only indicators of success, the Dead Wood boys would surely be in the running for an Oscar. And I think that’s what everyone in the room picked up on, and frankly, we all wanted a piece of that love!

Great, great, GREAT! If you missed this workshop, it will be online in the near future, so sign up to our mailing list here and we will let you know our plans for it as and when it’s live.

Fill out your e-mail address  to receive our newsletter! Subscribe Unsubscribe

Flash forward… Last Sunday at the Odeon Panton Street, we held a second Script To Screen workshop with Eran Creevy and Ben Pugh, writer/director and co-producer respectively, for ‘Shifty’ - a day in the life of a crack dealer in London.

As I said to Eran on stage, on paper, ‘Shifty’ is not my cup of tea, but because Eran wrote from personal experience, with a deep love and affection for the characters and the world of the story, the whole film felt honest and won me over within a few moments of it starting.

For me it’s a near perfect micro budget film. Nothing is weak. Script, cast, locations, props, editing, music… all pulled off with style. His script is also a wonderful lesson in minimalism – every word drives forward the narrative. New writers should really give it a read.

Eran is also a genuine charmer. Everyone present was won over by his self effacing honesty and self imposed tough love in pursuit of excellence. So many of us could learn huge amounts from his attitude, let alone his skills as a film maker.

The Q and A session was superb too and it was great to hear so many considered and thought provoking questions from the packed theatre.

Eran also spoke about the need to really understand the ‘universe’ of your story. Every director works in their own unique way, but they also understand the characters and world on such a deep and profound level, that any creative question can be answered in a heart beat. This he felt was crucial.

Listening to Ben and Eran chatting, it was clear to everyone present that their success is partly down to individual excellence and talent, but largely down to collaboration in a healthy and productive way. It was clear that Ben could reign in Eran’s creativity, and Eran could push Ben as a producer, but this was always done in a positive way.

All in all a fantastic success.

Here’s some comments I received over email about ‘Shifty’‘Leading up to the event I was sent a copy of the original shooting script and pitching notes that were used in order to secure the production of "Shifty". It was insightful to have gained this type of access to these documents prior to the event because it opens your mind up to what might have been required in order to complete the film.

After the film was the Q & A with Eran and Ben which was hosted by Chris Jones. This was the best part of the event for me… It was brilliant! There was a prize draw for two audience members to win posters for "Shifty" which Eran signed. I also got my script and my "Shifty" DVD signed by Eran which he was more than happy to do. Legend! Both Eran and Ben were absolute top blokes and were happy to chat to anyone, which to me was pretty amazing… then to the pub across the road from the cinema where everybody met, exchanged cards and information and yes, Eran and Ben came with us and had a drink (or two). The end to what I would call a superbly helpful event. Cheers Chris. And many thanks to Eran and Ben.’
Mark J Thomas

‘The SHIFTY Script to Screen event was invaluable. It's always good to hear people's film making experiences first hand, and these guys (Eran and Ben) were very candid. It was great for networking too, as I got talking to some other film makers afterwards that had also attended, and they're now considering me for a role in their next feature’.
Ben Shockley-Actor/Writer.

‘A great film followed by a fantastic Q&A. Eran Creevy was extremely generous and honest in telling us his journey from script to screen. To see someone like him making it was quite inspiring as he came across as a really genuine good guy. Having producer Ben Pugh in the room was an added bonus as it highlighted the importance of a strong creative team. A very illuminating afternoon, well worth it!’
Don McVey (writer)

‘I can't thank you enough for making this event happen - Eran is a true inspiration and I'm so glad to have been in his presence today… I found this event was very well organised, the atmosphere relaxed / friendly and the length of time spent at the Odeon was just about right (although it would have exhausted them, I could have listened to Eran and Ben for at least a couple more hours :-)  I was particularly impressed with how the questions were structured which provided me with a useful overview of Shifty’s journey from concept to distribution. This was one of my main reasons for attending… I am truly grateful for both Eran and Ben's generosity in taking the time to answer my questions. All in all - this was an outstanding event, I've already begun spreading the word and look forward to receiving details about the next one...' Dee, Film Maker

'Excellent afternoon. Very good choice of film and makers something we can all aspire too. Also think the network aspect afterwards is a great opportunity to meet other like minded people, which we seldom do working on our own individual projects. Looking forwards to the next.'
Chrisopher Hughes, Film Maker

A big thanks to Seb, Dave, Eran and Ben for sharing so honestly and passionately. You are all wonderful examples of us all being in the same boat and all rowing in the same direction. Kudos.

Onwards and upwards!

Chris Jones, Film Maker and Author
www.livingspirit.com
mail@livingspirit.com

Networking in Cannes tip... be remembered

This year we are taking a group of film makers to Cannes for their very first time.

It’s nerve wracking the first time - I can remember my first time too clearly. We just ran a workshop about how to get the most out of your Cannes experience, and one section was about networking. The key to networking is to create relationships, but in an event as hectic as Cannes, which is often a sensory and mental overload, how on earth can you be remembered?

We all have business cards and on my desk, I have a stack of other peoples cards. When I look through them, honestly, I struggle to remember who half of these guys are. And that’s why the card that was handed to me today by my good mate and film producer Mike Mindel, is such a great reminder of ABOVE ALL,  BE REMEMBERED!

First off, he has his photo on the back. We film makers are often quite visual people, we may remember a face where we may not remember a name or a company. So that makes a nice visual connection.

Second, between his name and logo there is a nice white space to write… ‘Brit producer, met at the Guerilla Film party, send a synopsis when home’.  You should always have some space where people can write a short note after meeting you. No matter how cool you think an all black card might look, it’s always better to be remembered than it to be cool.

Onwards and upwards!

Chris Jones, Film Maker and Author
www.livingspirit.com
mail@livingspirit.com

Film Makers, keep your overhead low and rent a small office!

This weekend was spring cleaning day in the Living Spirit office at Ealing Studios.

Those of you who have visited my office will know that it’s more like a strange little ‘Harry Potter’ hobbits hole of a cupboard than that of a film production office. And that suits me just fine. I learned a long time ago that one of the keys to success is the ability to survive the drought and famine of film making (be it the economic downturn, long periods of script development or simply a project that fails for reasons beyond your control).

So for me at least, the smaller the office, the better. And if you feel tempted to rent an office for your company, before signing any contracts, ask if they have something cheaper, smaller, maybe tucked away somewhere... In the long run you will not regret it. And if you have amazing success and it's too small, well trust me, this will be the least of your worries!

Lucia, my dear girlfriend, had offered to come in and pretty much industrially sterilize the environment for the next major project we will be launching – whereas I would have given it a light dusting, she attacked it like the terminator! So thank you Lucia for driving me hard to get the office ship shape (and doing the majority of the work while I watched in amazement!)

And ‘that project’ that we will be launching in the coming weeks, will be running out of this, ‘The Production Office’. And we are planning a very exciting window into this world for everyone to experience…

Right, pass the cleaning fluid!

Onwards and upwards!

Chris Jones, Film Maker and Author
www.livingspirit.com
mail@livingspirit.com

Canon 5D MkII short film and feedback from the film makers...

The video here – which is best seen FULL SCREEN – was shot by Martijn Kersten on a Canon 5D MkII and graded in After Effects and Color. For me, it shows off the amazing possibilities of the Canon 5D MkII and is as beautiful as it is arresting. Great stuff Martin. I have highlighted this amazing film because Martin just took my 'Gone Fishing’ online workshop – he spent a weekend at his computer, working his way through the workshop, and here is what he had to say about it… (and he wrote it to be part of the whole feedback on this page which you can read here).

‘I just finished the 'Gone Fishing' seminar. What a day! But man, was it worth it! The whole experience was superb. I have followed hundreds of other courses and tutorials, but this was the first time I really felt like being on top of the whole process.

I’m not going to write a whole story here because if you want to, you can read enough on this page! (link here) And I am sure that amount of reviews is telling the value of Chris’ workshop. But why is everyone here so excited about it? They all have at least one thing in common. Everyone here has a great passion of making films. That doesn’t mean everyone here is a director, no way. There’s so much involved in making films, everything is important. The chain of people who are making films is as strong as the weakest link.

So, you got on this page with a reason, and although I don’t know what reason, I think that reason will be enough to go on a journey that will blow you away with knowledge, passion and creativity! Whatever you are, a costume designer, writer, editor, color grading, producer or a director. If you’re passionate about making films, and you want to know HOW you can translate that idea to the BIG screen, I only can say this workshop is one of the best ways you’ll learn it! A big thanks to the makers of it! And especially Chris, for being such a great passionate person!

Martijn Kersten - Film maker martijnkersten7@gmail.com Follow Martin on Twitter

WOW! Thanks Martijn. I also got feedback from Jon Plant who recently wrote to me about his short script, which I read last week – it’s a very well crafted, if not a little hard hitting and challenging story, and I gave him some notes on what I felt would improve it. For me the best thing about his script was that it had a very strong end. It really left me thinking after I finished the last few words… He is hsooting on Red very soon and I loor forward to seeing it. Anyway, here is what Jon said about the ‘Gone Fishing’ workshop.

'In the ever-expanding literature on film-making, where duplicate information is fast beginning to outweigh original sentiment, this inspirational seminar genuinely achieves that rarest of qualities – true uniqueness.

No other resource more comprehensively and engagingly tackles the film production process from script to screen and beyond – simultaneously the antidote to, and finest example of, the director’s commentary.

Sitting through the Gone Fishing seminar is the closest you will come to making a world-class film without getting off your arse and actually doing it (which, incidentally, is exactly what you will be inspired to go and do).

Jon Plant - Film-maker, jpfplant@googlemail.com

So you can read more feedback here, and you can sign up here. Go for it, I promise you will complete it feeling invigorated, empowered and ready to take on your next big movie challenge!

UPDATE - Martijn just got in contact to tell us a bit more about his 5D MkII film...

I just got the 5D Mk II, and I knew I had to 'practice' with it! I didn't go to film school, instead I learned everything from doing courses and using the internet (you're my most recent)

I shoot the film at sunset and sunrise for the best natural light. I did everything myself and used my new Glidetrack HD for the dolly shots (always wanted to do that!).

So it was experimental, but I my ambition is to direct a (short) movie in the near future.  In the video you see my DOP, editing and grading skills, but I have yet to learn the skills of directing, with actors and a screenplay. I look forward to it though.

And I know the answer is, as everyone seems to keep saying, ‘Just do it’.

I really hope that one day I will do it and that it will be as good as Gone Fishing. I really loved it and I am still feeling the impact of the film and workshop.

Thanks again, pal! I'm really glad I was able to get in touch with you. And I really hope, someday we will bring our talents together to the big screen!

martijnkersten7@gmail.com

Onwards and upwards!

Chris Jones, Film Maker and Author
www.livingspirit.com
mail@livingspirit.com

Lunch with the cream of the British Film Industry. Rather civilised really!

I have just returned from central London after presenting to The Media Luncheon Club at the swanky W1 restaurant, Hush.

The club, which has been running for sixteen years now, meets every month to hear a film expert present – past speakers have included Tim Bevan of Working Title. Ray Harryhausen legendary animator and next month is Guy Hamilton, director of three Bond movies.

Gulp…

Dining at the event is the cream of the British film business, with producers, directors, lawyers, bankers and the like… So be asked to present is somewhat of an honour.

Bigger gulp…

I asked ‘Gone Fishing’ editor Eddie Hamilton to come along as moral support and we spent a great deal of time outside the venue catching up - Eddie has been off the radar for some time and has just emerged from editing ‘Kick Ass’. I was dying to hear about his adventures, the premiere, meeting Brad Pitt and the likes, and I hope to film a podcast with him next week for us all to find out more about editing this years break out success (we all hope!).

OK. Back to the event…

To be honest, I was rather nervous as it was quite possible that I was the least successful person in the room (which was filled with about 50 people)! So I played sheepishly with my lunch, waiting for my cue to speak in-between the rather delicious grilled chicken main course, and the promise of a scrumptious lemon tart for dessert.

I needn’t have been concerned though as everyone was both engaging and complimentary. I spoke about my ‘Gone Fishing’ adventure and presented everyone with a DVD at the end – that’s one way to get the movie into the hands of the top bods of UK film! Let’s see if anyone emails me back with their thoughts. It’s so important to capitalise on these moments and to know that 50 or so top Brit film makers could be watching ‘Gone Fishing’ this weekend is very exciting.

Overall, a great event, and now I am an honorary member, I will be attending and networking every month!

Splendid!

Onwards and upwards!

Chris Jones, Film Maker and Author
www.livingspirit.com
mail@livingspirit.com

Film Distribution In 2010, a Guerilla Film Wokrshop

Your film CAN succeed or fail based on YOUR HARD WORK, TALENT, THE STORY YOU CHOOSE TO TELL AND THE BUSINESS MODEL YOU BUILD.

Finally, we are in full control of the flow of money back to us... the entrepreneurs and creatives!

It’s never been more exciting to be a film maker.

Distribution and Marketing In 2010: The New Model For Film Making Success

Location: London, Ealing Studios
Date: May 8th and 9th,
Price: £237 (inc VAT),
Want to pay by Cheque? (email us here)

This groundbreaking event is headed up by possibly the most important voice in independent cinema right now, Jon Reiss, and supported by Chris Jones of The Guerilla Film Makers Handbook, and LA based cutting edge film marketer Sheri Candler. Three voices. One powerful message and toolkit.

Also presenting will be experienced producers speaking about their own projects and how they have succeeded WITHOUT traditonal distributors and sales agents...

Throughout the event, we will workshop your project, ensuring that you leave with a clear strategy that you can execute RIGHT NOW. 

Saturday kicks off with us showing you how to create a 21st century ‘no budget’ (but lots of elbow grease from you) marketing strategy that will create deep connections between you, your film and your audience.

Key to the success of your film is this groundwork – in the past, this used to be a screenplay, but now that work is interwoven with a marketing campaign at concept stage. The good news is that this early marketing also acts as a cash attractor, so it could be funding your project from day one.

We will take you through the quagmire of the effective use of social media tools, creating and maintaining blogs, managing SEO (Search Engine Optimisation) to get you ranked at the top of Google, using industry sites like IndieGoGo.com, OpenIndie, IndieScreenings and many more.

Sunday and the focus shifts to the creation of a dynamic distribution and marketing strategy that is unique to your film, offering insights into the ‘real’ markets that are available (in which to release your film), how and why to engage your audience as early as possible, and how to think beyond the feature film to create new forms of content.

Key to these strategies is the understanding that you MUST generate multiple revenue streams and adopt a HYBRID distribution model.

Throughout, you will be encouraged to workshop YOUR project using the new tools and strategies you have learned, causing an immediate breakthrough in the way YOU choose to get your film distributed. 

Jon Reiss is truly a visionary who can see not only how distribution ‘is’ but also ‘how it can be…’ We are lucky that he has chosen to stop off in London on his way to Cannes to deliver this career and life changing seminar.

Jon's book, Think Outside The Box Office, has transformed the strategies and careers of thousands of film makers since it was published just a few short months ago. His thinking is radical, but supported by his own real world experience as a multi award winning filmmaker. You can read reviews on Amazon here...

Sheri Candler recently handled the marketing for micro budget Slamdance horror, 'The Yellow Brick Road;. Here's what they had to say about her... "Sheri is very knowledgeable about social media and viral campaigns, understands the current state of independent film marketing, and always has the best interests of the film at heart.”-Eric Hungerford, Producer, YELLOWBRICKROAD

And yes, that's me (Chris Jones) with Sheri, at the Producers Guild Of America Awards last year where Gone Fishing won BEST FILM.

We will NOT be running this event again in 2010 so this is your ONLY chance to attend. Good luck with your movies and we hope to see you at the event!

MORE AWARDS! 'Gone Fishing' wins awards in two different worlds

Even though we have ramped down the Gone Fishing festival push, we still, on occasion, submit the film to some festivals, especially if invited. And this week two very wonderful and very different awards arrived for us.

First and rather dramatically, I was summoned to the Foreign office where a grand, shiny and amazingly heavy metal award was waiting for me – it had been sent by diplomatic channels from the Roshd Film Festival in Iran where Gone Fishing had received the Silver Medal Award.

It also came with five gold pieces… though I am not sure if they are really gold… mind you, they are quite heavy…!

To win an award in a country that could so easily be viewed in the stereotypical terms we are so very used to seeing in the media, does I must admit, feel both strange and very touching. That’s a weird combination for me. I only wish I could have attended the actual festival – for me, that would have been an amazing cultural experience / cultural shock to remember - but I was advised by government types that it might not be a good idea.

On the other side of the planet, and at the very same time, I got a message from Rocky McKoy, organiser of the Christian Soul 4 Reel Film festival (Maryland, Eastern USA), that we had also won best film AND the audience award!

He sent us a very small but actually, very beautiful glass award, alongside a lovely handwritten note (something that is actually a first to my memory, so good on you Rocky).

As I could not attend, I had recorded a short video to accept the award, and it seems, that video postcard elevated events for all present. Having attended so many festivals where award after award go straight back onto the table on the stage, as no film maker is present to accept, I feel duty bound to make an effort by filming a short thank you.

To discover that our film, with its very simple message, can find a home in both of these countries, albeit in film festivals, does blow my mind, and is a real testament to the power of cinema. Movies connect and bind people through a language that fundamentally, needs no words, and yet these same movies can still can speak powerfully to the 'universal' heart, mind and soul.

I am constantly amazed at how people react to the film, how it moves them and how we just keep on winning awards!

Blimey. And again. Blimey!

Onwards and upwards!

Chris Jones, Film Maker and Author
www.livingspirit.com
mail@livingspirit.com

Want to know how ‘Shifty’ got made? Read the first proposal used to secure deal with Film London!

Date:   Sunday March 28th.
Time:  12.00pm
Place: Odeon Panton Street, London.  (Seating is limited)

If you haven’t signed up for the script to screen event this Sunday, we have just received news of some more GREAT stuff that we are throwing into the mix.

So the movie is the BAFTA nominated ‘Shifty’, directed by one of Britain’s newest talents (you can see a short excerpt from an interview we did with him here).

As soon as you sign up, we will send you the shooting script – this gives you the chance to read the actual pages they took to set and see how the story evolved through a very tight shooting schedule and almost no budget.

On Sunday, we screen the film on 35mm, after which we have an extended film makers Q and A with Eran himself. Finally, we retire to the pub across the road for a networking event.

So new to this mix (and just confirmed now with the producers) is the short proposal that the film makers used to secure their deal with Film London (due to confidentiality, some parts have been omitted). It was this deal that enabled ‘Shifty’ to be both produced and very successfully marketed. You will get this PDF when you sign up (and we will be emailing it to all the film makers who have already signed up)

We will also have a Shifty poster which Eran will sign and we will raffle in the room on the day.

Don’t leave it too late - the last two events we ran (Dead Wood and Exam) both sold out and we had to turn film makers away!

Tickets £19 (plus booking fee and inc VAT)

More details here...

Onwards and upwards!

Chris Jones, Film Maker and Author
www.livingspirit.com
mail@livingspirit.com

Film Producers Survey by Stephen Follows in the wake of the NPA collapse

I have been asked by producer fiend of mine, Stephen Follows, to publicise a survey he is conducting in the wake of the NPA collapse. He will share all his findings with anyone who wants to see the data. So if you are a producer, take the short survey.

Here is what Stephen has said about it…

5 minute survey to improve the support for UK Film Producers

Film producers - we need your help. There is very little help and support for film producers in the UK and we want to change that.  The first step is to understand who’s out there and what support YOU need.

To that end, would you mind helping out with a quick survey? It’ll take less than 5 minutes of your time and your answers will directly influence what help, support and advice is available to film producers in the future.
 
We won’t ever share you private data and everyone has the option to take the survey anonymously.  We will then publish the results before Cannes and will open up all the data (minus personal data) to any group or organisation serious about helping producers in the UK.
 
OK - click here to take the 5-minute survey
 
http://www.surveymonkey.com/s/FilmProducersSurvey 

Thank you

Thanks Stephen. Will look forward to the results.

Onwards and upwards!

Chris Jones, Film Maker and Author
www.livingspirit.com
mail@livingspirit.com